Thursday, February 24, 2011

Hi, I'm Taylor. I've been alive for 20 years now, and I finally have my own kitchen. I'm very excited about this, and generally excited by anything else that falls into the "cute" or "cozy" categories. I learned to play guitar when I was twelve from this guy named Ronnie who came over to fix my parents' computer. I like quilts. But that's probably because I'm always freezing cold. I LOVE Nashville. That's where I live, when I'm lucky enough to be there. I love the town so much, I sometimes feel like I should just roll the windows down in my car (nicknamed the Toyoat. Because it's a Toyota) and scream "I LOVE THIS TOWN" loudly out the windows. That wouldn't be weird, right? Every time I try and wink at someone, I mess it up and end up scaring people. My lucky number always has been and always will be 13. It pops up in front of me in the most obvious and undeniable ways, but only when something good is about to happen. I'm a Sagittarius. I think that means I'm always looking for something new. It also means I have a Christmas-themed birthday party every year. I love bright colors and things that make reality seem more whimsical than it is. I have a collection of ribbons and headbands, and I love them all the same.  I over-think and over-plan and over-organize. I've been like this since I was a baby, before I was gigantically tall and over-talkative.
These days, I've been trying to classify my thoughts into two categories: "Things I can change," and "Things I can't." It seems to help me sort through what to really stress about. But there I go again, over-planning and over-organizing my over-thinking! I write songs about my adventures and misadventures, most of which concern love. Love is a tricky business. But if it wasn't, I wouldn't be so enthralled with it. Lately I've come to a wonderful realization that makes me even more fascinated by it: I have no idea what I'm doing when it comes to love. No one does! There's no pattern to it, except that it happens to all of us, of course. I can't plan for it. I can't predict how it'll end up. Because love is unpredictable and it's frustrating and it's tragic and it's beautiful. And even though there's no way to feel like I'm an expert at it, it's worth writing songs about -- more than anything else I've ever experienced in my life. 
I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together. 
For the last two years, I've been writing and recording an album called Speak Now. I only have the option of writing about things that happen in my life, so thankfully a LOT has happened in my life in the last two years. I know I don't always say the right thing at the right time or speak up when I should, but I write it all down. I get my guitar and a pen and all of a sudden, I have a chance to say exactly what I meant to say in real life. Some of the things I wrote about are things everyone saw me go through. Some of the things I wrote about are things nobody ever knew about. I'm beyond excited for you to hear these stories and confessions. 
I think it's important that you know that I will never change. But I'll never stay the same either. Must be a Sagittarius thing. 
I'm pretty stoked that you read this whole thing. I commend you for that. This was ridiculously long, and you probably have other stuff you could've done in the last four minutes. So to you, or anyone else who has spent four minutes on me in some way-- listening to just one song, or watching one of my videos….Thank you. I love you like I love sparkles and having the last word. And that's real love. 
--Taylor






Sana’y Ako Na Lang – Six Part Invention

Heto na naman
Sulyap ng ‘yong mata
Na nagsasabing, ika’y nag-iisa
Pinilit kong sabihin
Ngunit di ko magawa
Na magsabing gusto kita
Tuwing makikita ka
Ang damdamin ay hindi mapigilan
(Chorus)
May nagmamahal naba sayo?
Kung wala ay ako nalang
Lahat ibibigay sayo
Na walang alinlangan
Sana’y bigyan naman ng pansin
Ang puso kong ito
Kaya tanong ko lang
Kung may nagmamahal naba?
Sana’y ako nalang
Lagi kitang, inaabangan
Baka sakali makausap man lang
Ngunit takot ang nadarama
Pag nariyan ka na
Pero naiinis pag may kausap ka ng iba
Laging nasa isip ka
Di na magbabago magpakailan pa man
(repeat chorus)
Bigyan mo ng pagkakataon ang puso ko
Ako’y magmamahal sayo
May nagmamahal naba sayo?
Kung wala ay ako nalang
Lahat ibibigay sayo
Na walang alinlangan
Sana’y bigyan naman ng pansin
Ang puso kong ito
Kaya tanong ko lang
Kung may nagmamahal naba?
Sana’y ako nalang
                                              iizsAh dYan C bezsTt .. :P
                                                   nO onE caN bRin6 meiH dOwn . !

Tuesday, January 25, 2011






aVriL'zs biOgraPhy

Avril Lavigne first appeared in summer 2002, touting an addictive debut single (the spunky pop/rock gem "Complicated") and a skatepunk image that purposely clashed with the polished glamour of mainstream pop. Lavigne, who was 17 at the time, quickly rose to teen idol status, selling several million copies of her debut album, Let Go (the best-selling album by a female artist in 2002), while inspiring a genuine fashion craze with her penchant for tank tops and neckties. As the decade progressed, so did Lavigne's marketable sound, which took a contemplative turn on the sophomore effort Under My Skin before reaching an aggressively upbeat tone for 2007's The Best Damn Thing.

Born into a devout Christian household in the small town of Napanee, Ontario, Lavigne sharpened her vocal talents in church choirs, local festivals, and county fairs. She began playing guitar and writing songs in her early teens, focusing her early efforts on country music and contributing vocals to several albums by local folk musician Steve Medd. Arista Records caught wind of the singer and brought her aboard at the age of 16, with CEO Antonio "L.A." Reid personally taking Lavigne under his wing. She quit high school, relocated to Manhattan, and set to work with a handful of prime songwriters and producers, but the partnerships only produced country songs -- not the rock music in which Lavigne had become increasingly interested. Arista relented and instead sent Lavigne to Los Angeles, where she fashioned her melodic, edgy debut alongside such writing teams as the Matrix. Released in 2002, Let Go was the polished product, and its four high-charting singles -- "Complicated," "Sk8er Boi," "I'm with You," and "Losing Grip" -- led the album to multi-platinum status within its second month of release. Lavigne became the youngest female musician ever to have a number one album in the U.K., and she supported the wildly popular disc (which eventually gained eight Grammy nominations) with a tour of Europe, Asia, North America, and Australia.

Compared with the skin-bearing antics of other teen idols -- Britney Spears chief among them -- Avril Lavigne was a new kind of superstar, one whose appeal didn't rely on sexy videos or suggestive music. She further distinguished herself by bypassing the assistance of professional writing teams during the creation of her second album, choosing instead to collaborate with singer/songwriter Chantal Kreviazuk, Evanescence's Ben Moody, and Evan Taubenfeld (who had previously worked with Lavigne as her touring guitarist). Released in May 2004, Under My Skin was more serious than its predecessor, dealing with such issues as premarital sex ("Don't Tell Me"), depression ("Nobody's Home"), and the death of Lavigne's grandfather ("Slipped Away"). The album debuted at number one in more than ten countries, went platinum within one month, and further established Lavigne as a pop icon. Incidentally, a song that was co-written by Lavigne and ultimately cut from the final track list -- "Breakaway" -- was later given to Kelly Clarkson, who used it as the title track and leadoff single for her Grammy-winning sophomore album.

Lavigne married her boyfriend of two years, Sum 41's Deryck Whibley, in July 2006, just one month after the animated film Over the Hedge announced her cinematic debut (Lavigne voiced the part of Heather, a hungry opossum). She also appeared in Richard Linklater's fictional adaptation of Fast Food Nation, which was released that November. Nevertheless, she spent most of the year working on her third album, enlisting former blink-182 drummer Travis Barker to play drums and cherry-picking a variety of producers (including her husband) to helm the recording sessions. The Best Damn Thing appeared in April 2007, and its leadoff single, "Girlfriend," marked a return to the bratty, spunky punk-pop of her first album. "Girlfriend" soon became the subject of controversy as the '70s power pop band the Rubinoos sued Lavigne, claiming that her tune reworked their 1979 song "I Wanna Be Your Boyfriend." No amount of bad publicity could hurt the singer, however, as "Girlfriend" became her biggest U.S. single ever and The Best Damn Thing topped album charts worldwide. Andrew Leahey, Rovi